I think I know what you’re thinking. Best Microphone Stands? Really?! Wouldn’t a basic, affordable mic stand at the local mart do?
Even if you do not follow the same thought process, the reality is that for most people, a microphone stand is nowhere near the top of their list of equipment to be concerned about when setting up a home recording studio. That is a mistake.
Now, it isn’t a mistake that would directly cost you money. Worse, it is an error that could significantly limit the quality of your recordings. No kidding!
I know you value the quality of your music: I do too. Therefore, there is no excuse under the sun that will pass for not paying attention to every detail that can bring out the best in the music you record. And one such detail is your microphone stand.
- 1 3 Factors to Consider When Choosing the Best Microphone Stand
- 2 My Top 7 Microphone Stands List (Updated 2018)
- 3 On Stage MS7201B – Best Cost-Effective Mic Stands (Typically $50 or less)
- 4 Samson MK-10 – Best Tripod Mic Stand
- 5 Atlas Sound MS25E – Best High-End, Multi-Purpose Mic Stands
- 6 K&M 21021
- 7 On Stage DS7200QRB – Best Adjustable Desktop Stand
- 8 Atlas Sound MS-10C – Best Mid-Range Mic Stands (Typically $50 – $100)
- 9 Ultimate Support MC-125 – Best Overhead
- 10 Microphone Stands Gauge Buying Guide
- 11 Wrapping Up
3 Factors to Consider When Choosing the Best Microphone Stand
Part of the reason why a lot of home recording studio owners do not give a moment’s thought to a mic stand is because it appears so basic with a limited function. It’s function is to hold mics. That does not leave wiggle room for plenty of features or the regular bells and whistles you would have to consider and re-consider with, let’s say, a computer.
However, that’s not accurate. Enumerated below are a few unassuming but important factors to consider when you are shopping for the best microphone stand for your home recording studio.
You really wouldn’t notice how important a mic stand is nor how remarkably easy it is to lose your mind until your mic stand can’t stay still and balanced, or the mic can’t fit snugly. These scenarios play out when a mic stand lacks high-end stability.
Therefore, check out the base, holder, clips, and clamps. There are several design styles with very little between them regarding performance, so ensure that the one you choose is perfect for your needs.
The kind of material used does play into how stable a mic stand is, and consequently, factors into the weight of the stand. However, the material used is not the only factor; there is also construction.
What you need is a lightweight stand that you can move around with ease. However, not too light that it affects stability or durability of the stand.
Quality and Durability
The material, design language, construction aptness all factor into the quality of the build of a microphone stand, and by extension, the durability of the microphone stand.
A mic stand is a long-term buy. You would not be replacing it in years, so you have to be sure that it would stand the test of time, from the sturdy frame to the more fragile connectors. You shouldn’t have a reason to worry that you would have to pack it up within months of usage.
If it has a terrific build quality, it will be less likely to incur damage, and certainly, would outlive many other pieces of equipment in your home studio such as monitors or microphones.
In summary, the best microphone stands sport a high-end build, are incredibly stable, are exceptionally durable, and still, manage to be lightweight.
In the section, I unveil the best 7 microphone stands that are ideal for home recording studios.
|ON STAGE MS7201B|
|BEST COST-EFFECTIVE MIC STANDS|
|SAMSON MK-10||BEST TRIPOD MIC STAND|
|ATLAS SOUND MS25E||BEST HIGH-END, MULTI-PURPOSE MIC STANDS|
|K&M 21021||Best Classic|
|ON STAGE DS7200QRB||BEST ADJUSTABLE DESKTOP STAND|
|ATLAS SOUND MS-10C||BEST MID-RANGE MIC STANDS|
|ULTIMATE SUPPORT MC-125||BEST OVERHEAD|
On Stage MS7201B – Best Cost-Effective Mic Stands (Typically $50 or less)
This black On Stage Stands MS7201B model is an industry standard, circular-base mic stand design that has a few features its competitors do not. It has a large, sturdy 10 in. diameter sand-cast base that weighs approximately 7 – 9 lbs. (light enough for road use).
The stand’s shaft has a black powder coat finish that is applied to all MS7201B tubing. The 5/8 in. tubing has a 27-solid cast threaded (screw-together) upper shaft end that holds mic clamps and accessories. The mic stand height adjusts from 34 inches to 60 inches.
The internal counter clutch holds the upper shaft while the desired height adjustment is made. The zinc die-cast clutch is engaged and securely locks the stand height in place. The MS7201B round mic stand base may be used with a telescoping boom mic.
Samson MK-10 – Best Tripod Mic Stand
The Samson MK-10 Microphone Boom Stand is the poster child of what the best mic stand should be. It has both the beauty and the brawn with its sturdy steel construction complemented by a sleek black finish.
Furthermore, it features a collapsible tripod stand, which increases its portability and combined with its lightweight at only 3.5 pounds, I found moving it to be virtually effortless.
In terms of performance, the stability of the MK-10 stand is outstanding, and it features a mic clip for firmer grip on the mic. All round, the Samson MK-10 Microphone Boom Stand is a terrific stand that sports all the necessary features you would need a mic stand, and impressively occupies a modest price point.
Atlas Sound MS25E – Best High-End, Multi-Purpose Mic Stands
The Atlas Sound MS25E is a durable, heavy-duty high-end microphone stand that is ideally suited for a broad range of performance, stage, studio, and recording applications.
Mic stand quality begins with its oversized 7/8 in. and 1-1/8 in. diameter tube assembly construction. The MS25 mic stand also showcases an integral air suspension system intended to protect even the most sensitive microphones.
This versatile mic stand extends up to 62 inches. It features the Atlas Sound-brand three-piece, wear-proof clutch that provides secure, fast, and quiet height adjusting. The MS25E’s locking control resists continuous studio and stage handling, packing, abuse, and general wear and tear.
The MS-10C oversized triangular base provides maximum stability. It incorporates edge concentrated weight distribution and sculpted edges for added stability. It can easily sustain booms without wobble.
The K&M (Koenig & Meyer) is the industry standard and choice of professionals around the world. The German-made K&M 21021 Overhead Microphone Stand is a professional mic stand with an extraordinarily compact and transportable telescopic boom arm.
It’s reduced size and increased portability surpasses that of the K&M 210/2 classic model. It also combines the longer-legged 201A/2 mic stand with the K&M 211/1 telescopic boom arm. The three adjustable longer legs add more stability and support, and easily fold flat for compact storage and easy transport.
The K&M 21021 mic stand is constructed from Swiss steel. It has a zinc die-cast base and an adjustable and detachable one-piece telescopic boom. It is longer and taller than most overhead mic stands.
The fully extended main stand is 6.5 feet tall. The mic stand’s overall height adjusts from 35-1/2 inches to 63-1/8 inches. The solid T-bar mechanism ensures all moving parts of the mic stand remain as adjusted. It is designed particularly for studios and drummers.
On Stage DS7200QRB – Best Adjustable Desktop Stand
The On Stage DS7200QRB Quick-Release Adjustable Desktop Stand is a heavy, sand cast metal base, black, standard-thread quick-release desktop mic stand. The design allows fast two-handed operation.
The sturdy 6-inch diameter base has five rubber feet for stability. It has a standard 5/8 in., solid cast threaded end. The mic stand height adjusts from 9-1/2 in. to 16 in.
Customer-recommended for podcasts and amateur/professional recording, home studio and performances, DJ and karaoke, events
Atlas Sound MS-10C – Best Mid-Range Mic Stands (Typically $50 – $100)
The Atlas Sound MS-10C is the durable chrome-tube, round metal-based, stick-type mic stand that’s been the traditional mainstay stand for years on stages and in venues everywhere. It is representative of the industry standard for microphone stands.
The MS-10C is a versatile stand. It has the Atlas Sound-brand three-piece, wear-proof clutch whose locking control resists endless studio and stage handling and abuse.
The MS-10C has an oversized 10 inch diameter die-cast base that features edge concentrated weight distribution for added stability. The metal base is equipped with rubber pads that absorb floor vibrations as well as protect various floor surfaces.
The standard 5/8 in. and 7/8 in. diameter tubing is formed from cold rolled steel. The MS-10C mic stand shaft is fully-adjustable and extends vertically from 35 inches to 63 inches.
The 5/8 in. tubing has a 27-solid cast threaded upper shaft end that allows the shaft tubing pieces to be screwed together and hold mic clamps and accessories. Top and bottom lock-nut rings are included to enable secure positioning.
Ultimate Support MC-125 – Best Overhead
The Ultimate Support MC-125 Studio Series Microphone Boom Stand is a large, professional, no-tip, mobile mic stand. The MC-125 is considered “the most adjustable studio boom on the market.” It is particularly suitable for home studios, performances, professional recordings, and events.
The MC-125 offers a larger than average 22-1/2 inch diameter base. A primary feature of the MC-125 is its three locking 3-3/4 inch caster wheels that allow for smooth and easy movement in all directions, providing studio and stage portability.
The wheels are rollerblade-style, which have a lower center of gravity that also provides extra stability. For additional safety, the caster wheels lock in both rotating directions, gaining zero movement.
The MC-125 ranges in height from 52 inches to 83 inches, which also accounts for the height of the casters. The long boom extension reaches from 35 inches to 61 inches for perfect placement.
The reliable friction-free clutch smoothly raises and lowers the boom arm extension. Threaded shaft and boom sections allow faster and more expedient set up, tear down and storage. It also features a distinctive, easy to adjust, die cast 5.75-lb. counterweight.
Interchangeable parts simplify maintenance and repair. All MC-125 parts are interchangeable, making it easy and efficient to field replace them. The 100% field replaceable, interchangeable parts ensure the mic stand will have a very long lifespan, from its foot caps to the mic adapter.
Microphone stands hold expensive pieces of equipment (microphones), so the musician does not have to. When correctly placed, microphone stands to enhance the quality of the voices and instruments, sounds and tones.
Mic stands may be purchased to outfit a choir, orchestra, or jazz or rock band. Each microphone stand is different, depending on intended use, type, size, shape, and quality of material it is constructed from.
Microphone stand bases can be round or tripod type. Round bases are more massive and are considered to be more stable. Microphone stands with solid bases are incredibly sturdy, making them ideal for high traffic areas or extreme performances.
It is typical to find them in recording studios where sound equipment does not necessarily need to be mobile. Performers use them because they consume less floor space and do not create a trip hazard, as tripod stands do.
Folding tripod-base mic stands are more compact for storage. They collapse and pack easily to take on the road for gigs. They also quickly unfold for setup. The drawback of tripod stands is that they can become a tripping hazard on a dark stage.
Stage mic stands typically include the straight (floor model) round- or tripod-base, boom arm, gooseneck, and overhead or drum mic type stands.
Straight (floor model) – adjustable-height, vertical tube shaft type microphone stands are the most basic and most easily recognized. They are typically stage models and may have a round base. Some more elaborate models have locking caster wheels for easy portability.
Tripod – As universal as round base stands. Performers may elect to use a tripod stand due to space or that it allows the performer to more comfortably stand closer to the mic.
Desk – Short or low-profile versions of straight type stand. They may be used for podcasts, “bedroom recordings,” or presentations. Musicians typically use these stands for kick drums or guitar cabs.
Boom Arm – Allows you to have a more extended reach. They are convenient when floor space is limited. They are available in either a fixed or adjustable (telescoping) lengths and may have a round or tripod type base. These types of mic stands can be angled to pick up the sound without obstructing the performance. Boom arm mic stands are best suited for singer/musicians that play keyboard or drums.
Overhead – The largest, professional, and most expensive of all stands. They are used when extreme heights and angles are required, such as in studios above green screens or with drum overheads.
Microphone stand attributes enable them to be more mobile, versatile and functional.
Boom Arm – have microphone clip attachments mounted to the tops of microphone stands. The boom arm enables the mic to move horizontally, allowing it to be hands-free without a vertical shaft obstructing the performer’s movement. A boom arm is also useful when space is at a premium.
Gooseneck – A microphone attachment that affords greater flexibility.
Some musicians have discovered the “bottomless mic stand.” Accidentally created by Freddie Mercury (Queen), a bottomless mic stand is one that is hand-held and does not have a base.
Various attachments adapt it to where and how it will be used.
The clip – attached to the stand with screws. It holds the microphone. Clips easily break but can be replaced.
The post – between the base and the clip. It is a series of telescoping tubes that may be extended. Each tube fits inside another.
The clutch – makes it possible to adjust the height of the stand. They are generally designed to be operable with one hand. The most common clutch is the one used on a straight stand.
Choosing a Quality Microphone Stand
Before selecting any microphone stand, consider:
• The type of venue where the microphone stand will be used (studio, stage, live gig, desk, podcast),
• The type of stand and support needed (floor stand, suspension arm, desk),
• The number of mic stands you will need, and
• Necessary accessories (pop filters, carry bags, shock mounts).
Although budget and cost may be primary concerns, quality and functionality remain essential factors. The best rule to follow is to purchase the best-quality microphone stand you can afford.
A good mic stand is not necessarily expensive. But, a less expensive microphone stand may not be well-made, very well balance, or sturdy. It may not substantially support higher-end microphones, or it may begin to sag over time when positioned at extreme angles.
It may fall apart or not maintain its grip (sliding down) during a gig. It is crucial the mic stand does not allow the mic to slip or drop. Microphones can be very costly to replace.
Another consideration is the needed accessories that must be added. The overall total of your mic stand and accessories required may start to add up.
Higher-end models initially cost more, but they also come with more amenities, such as more general and more extended warranties, field replacement parts and service, quality accessories as well as overall better quality, reliability, and longer life that won’t disrupt your performance schedule and career.
Some do’s and don’ts regarding the selection of a quality mic stand include:
• Select one that is made of the highest quality materials (metal is sturdier than thick plastic).
• Avoid sale or bargain-priced stands that cannot be returned or replaced if they fall apart.
• Don’t choose a mic stand based on its clip (chips easily break but do not cost much to replace).
• Select a mic stand with a high-quality clutch that will not quickly wear out.
• Verify the boom arm or gooseneck is sturdy and can support a more massive mic over extended periods.
Certainly, at this point you appreciate the importance of a quality mic stand, and that negligence can be costly. If you are looking for the best all-round mic stand with all factors including price considered, then the Samson MK-10 Microphone Boom Stand is your best pick.
If top-end performance is your primary concern, then you should get the Pyle-Pro PMKS9 Heavy Duty Compact Base Boom Microphone Stand.
For lightweight, while still sporting excellent quality features, get the Pyle-Pro PMKSM20 Microphone and Tripod Stand with Extending Boom and Mic Cable package. Interestingly, the PMKSM20 comes with its own microphone and 15-foot long ¼-Inch Microphone Cable.
Lastly, if you are on the economy drive, then the Pyle-Pro PMKS3 Tripod Microphone Stand W / Extending Boom would be a perfect purchase.